Lyrics Belong in the Release Plan, Not the Last-Minute Checklist
A renewed Musixmatch and DistroKid deal shows why accurate, synced lyrics should be prepared as carefully as audio, artwork and release metadata.
A renewed Musixmatch and DistroKid deal shows why accurate, synced lyrics should be prepared as carefully as audio, artwork and release metadata.
Adobe’s UMG and WMG deals show how licensed music is moving into the creative workflow before a video reaches social media—and why access matters.
New Musicians’ Union rates show why a fair freelance fee must cover preparation, rehearsals, responsibility, travel and recording rights—not only performance time.
Nearly half the royalties paid to Merlin’s Japanese members now come from abroad, showing how local identity and strong rights infrastructure can help independent music travel.
What is a music industry showcase, and is it worth the cost? Artists should assess the audience, complete budget, terms and follow-up before accepting a slot.
Scotland’s new music roadmap shows why industry strategies need named owners, real resources, deadlines and public evidence of progress.
Fake play counts can distort what popularity appears to mean. A new industry initiative offers a chance to make music discovery more trustworthy.
IMPALA’s new primer highlights direct-to-fan strategy. The real opportunity is not another store, but a relationship artists can sustain over time.
A new US–UAE neighbouring-rights agreement shows why global reach does not automatically produce global royalty payments for artists and labels.
EU recorded-music revenue reached €6 billion in 2025, yet paid-streaming penetration remains at 27%. The gap reveals where Europe’s next phase of music growth may begin.