Osken Turns Towards Morning on Now I’m Listening to the Day
Osken’s third single, Now I’m Listening to the Day, arrives on 23 October with warm piano, guitar, bass and organic drums.
Osken’s third single, Now I’m Listening to the Day, arrives on 23 October with warm piano, guitar, bass and organic drums.
Apple Music Hall can turn one concert into immersive audio, video and livestreams. What changes when the stage becomes part of the release workflow?
Seventy-seven restored American Patchwork performances are reaching streaming for the first time, showing how preservation can become living music culture.
Spotify’s new Genius partnership brings performances and lyric explanations closer to the music. It points towards a more contextual future for streaming discovery.
Osken’s second single turns a journey through changing landscapes into a reflective song about uncertainty, letting go of older selves and learning to move forward.
Spotify’s first standalone RNB X concert turns an editorial playlist into a live gathering. The shift could make music discovery more memorable—and playlist brands more powerful.
The Mercury Prize Fringe turns one awards night into a week of gigs, workshops and artist development across Newcastle. It offers a useful blueprint for making cultural prestige matter locally.
Spotify EQUAL’s anniversary singles show how reinterpretation can connect emerging artists with musical history without reducing either to nostalgia.
For decades, creating music was the greatest challenge facing independent artists. Recording studios were expensive, distribution was limited, and reaching listeners often depended on record labels, radio stations, or physical stores. Today, almost anyone can write, record, produce, and release music to a global audience. Technology has dramatically lowered the barriers to entry, allowing more …
Read more “The Hardest Part of Making Music Isn’t Making Music Anymore”